The Future of Copyright by Rasmus Fleischer

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This change has taken place because previously distinct media are now simulated within the singular medium of the Internet, and copyright law simply seems unable to cope with it. Consider radio broadcasting and record shops, which once were inherently different. Their online counterparts are known respectively as “streaming” and “downloading,” but the distinction is ultimately artificial, since the same data transfer takes place in each. The only essential difference lies in how the software is configured at the receiving end. If the software saves the music as a file for later use, it’s called a “download.” If the software immediately sends the music to the loudspeakers, it’s called “streaming.”

Copyright law in the 21st century tends to be less concerned about concrete cases of infringement, and more about criminalizing entire technologies because of their potential uses. ... It will also have seriously chilling effects on innovation, as the legal status of new technologies will always be uncertain under ever more invasive rules.